Thu 11 December - Wed 17 December
Newmarket (09 369 2417)
167 - 169 Broadway, Newmarket, ,
Avatar: Fire and Ash (M) 200 mins No Free Tickets
Wed 6:00PM 3D
Met Opera 2025-26: La Sonnambula (M) 195 mins No Free Tickets
Fri 10:45AM
Sun 1:30PM
Mon 5:45PM
Wed 12:45PM
NT Live: Mrs. Warren's Profession (M) 120 mins
Sat Wed 12:45PM
Not Only Fred Dagg (M) 103 mins
Sun 2:30PM
Session Times subject to change without notice
Avatar: Fire and Ash (M)
Jake and Neytiri's family grapples with grief after Neteyam's death, encountering a new, aggressive Na'vi tribe, the Ash People, who are led by the fiery Varang, as the conflict on Pandora escalates and a new moral focus emerges.
Met Opera 2025-26: La Sonnambula (M)
Following triumphant performances in Gounod's Roméo et Juliette, Verdi's La Traviata, and Donizetti's Luciadi Lammermoor, Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleep walks her way into audiences' hearts in Bellini's poignant tale of love lost and found. In his new production, Rolando Villazón — the tenor who has embarked on a brilliant second career as a director—retains the opera's original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduagaco stars as Amina's fiancé, Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera's most ravishing works.
NT Live: Mrs. Warren's Profession (M)
Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw's incendiary moral classic. Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune - but at what cost? Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, Good), exploring the clash between morality and independence, traditions and progress.
Not Only Fred Dagg (M)
When satirist John Clarke died in 2017, the world mourned an icon. A defining comedic voice for over forty years, Clarke gave away very little about his own life. At home, by contrast, he was an open book. In a remarkable series of recorded conversations, John and his daughter (writer/director Lorin Clarke) trace his steadfast resistance to authority back to his childhood, delve into his early career forging a career in New Zealand, and offer delightful insights into his four decades in the entertainment industry.
Session Times subject to change without notice